Fairyland Киноs [2021] -
Andrei Tarkovsky rejected straightforward kino‑skazka, yet his cinema creates the most profound fairyland of all — one located in memory and dream. In (1986), a boy plants a tree by a dry well; the house floats in a northern light. In Mirror (1975), a witch‑like doctor, a burning barn, and a floating woman transform domestic space into a personal fairyland of childhood. Tarkovsky’s fairyland кино is psychological : the enchantment arises not from spells but from slow pans over wet grass, wind in curtains, and the music of Bach. Here, the fairyland is not “a certain kingdom” but the lost country of early perception.
The Concept of "Fairyland" in Russian Cinema (кино) fairyland киноs
Under Brezhnev, studios like produced lyrical animated fairylands: Yuri Norshtein’s Tale of Tales (1979) — often voted the greatest animated film of all time — depicts a post‑war world where a green wolf, a baby, and a falling leaf become a fairyland of national trauma and hope. Norshtein’s unfinished The Overcoat continues this mode. Norshtein’s unfinished The Overcoat continues this mode
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